Well, in terms of what a camera does. Again, you go back to that original idea that what you photograph is responsible for how it [the photograph] looks. And it's not plastic, in a way. The problem is unique in photographic terms.

[Me book is] called Stock Photographs. It was done at the Fort Worth livestock show and rodeo. I was commissioned to shoot there by the Fort Worth Art Museum for a show. I probably shot a total of fourteen days, give or take.

The photograph should be more interesting or more beautiful than what was photographed

Language is basic to all of our existences in this world. We depend on it.

I don't know how to say easily what I learned. One thing I can say I learned is how amazing photography could be.

There's an arbitrary idea that the horizontal edge in a frame has to be the point of reference.

For me anyway when a photograph is interesting, it's interesting because of the kind of photographic problem it states - which has to do with the contest between content and form.