The photo is a thing in itself. And that's what still photography is all about.

It was interesting; it's an interesting photographic problem [those demonstrations in the late Sixties]. But if I was doing it as a job, I think I'd have to get paid extra.

It's very easy to make successful photographs - it's very easy.

You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.

You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.

You just go through a certain kind of drudgery every time you have to look for something. I've got certain things grouped by now, but there's a drudgery in finding them. There's always stuff missing.

I'm surviving. I'm a survivor.