You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.

You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.

Nobody sold prints then and prices didn't mean anything. In terms of earning your living, it was a joke.

I'm pretty fast with a camera when I have to be. However, I think it's irrelevant.

I never saw a pyramid, but I've seen photographs; I know what a pyramid or a sphinx looks like. There are pictures that do that, but they satisfy a different kind of interest.

A photograph can look anyway. It just depends basically on what you photograph.

[Me book is] called Stock Photographs. It was done at the Fort Worth livestock show and rodeo. I was commissioned to shoot there by the Fort Worth Art Museum for a show. I probably shot a total of fourteen days, give or take.