You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.

I photograph to see what the world looks like in photographs.

It's very easy to make successful photographs - it's very easy.

There are photographers whose shows I try to make it my business to see, if I'm in the city. There are photographers I have no interest in at all.

There is no special way a photograph should look.

I generally deal with something happening.

When I'm photographing, I don't have that kind of nonsense running around in my head. I'm photographing. It's irrelevant in the end, so it doesn't mean a thing. It's not going to make me do better work or worse work as I can see it now.