You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.

There was a camera club at Columbia, where I was taking a painting course. And when I went down, somebody showed me how to use the stuff. That's all. I haven't done anything else since then, It was as simple as that. I fell into the business.

If I saw something in my viewfinder that looked familiar to me, I would do something to shake it up.

Teaching is only interesting because you struggle with trying to talk about photographs, photographs that work, you see.

I look at a photograph. What's going on? What's happening, photographically? If it's interesting, I try to understand why.

You know, you get into the business of commercial photography, and that's all you do is photograph what you know. That's what you're hired for.

You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.