A photograph can look anyway. It just depends basically on what you photograph.

There is a transformation, you see, when you just put four edges around it. That changes it. A new world is created.

You use the vertical edge as the point of reference, instead of the horizontal edge. I have a picture of a beggar, where there's an arm coming into the frame from the side. And the arm is parallel to the horizontal edge and it makes it work. It's all games, you know. But it keeps it interesting to do, to play.

The only thing that happens when I'm teaching is that I hope there are some students out there in the class who will ask questions.

I don't know if all the women in the photographs are beautiful, but I do know that the women are beautiful in the photographs.

I'm talking about technical goofs. I'm pretty much on top of it. The kind of picture you're referring to would have to be more about the effects of technical things, technical phenomena, and I'm just not interested in that kind of work at all.

Every photograph is a battle of form versus content.