At times people in the press were also useful to me.

[Photography is ] likewise even French impressionists. So the Sculls bought pop. It was politics, and they moved with it. And I think that could be happening, to some degree, with photography, too. It doesn't cost as much to do it, either.

You don't solve anything ever, really. You simply state a problem which, when you're lucky, gives you some idea of what possible problems you can - it indicates, you know, your future headaches.

[Me book is] called Stock Photographs. It was done at the Fort Worth livestock show and rodeo. I was commissioned to shoot there by the Fort Worth Art Museum for a show. I probably shot a total of fourteen days, give or take.

Teaching is only interesting because you struggle with trying to talk about photographs, photographs that work, you see.

I'm shocked that I can live pretty well, or reasonably, or make a certain amount of my living, anyway, off of prints. I guess it's nuts. I don't believe in it. I never anticipated it; I still don't believe it.

No one moment is most important. Any moment can be something.