When the woman is attractive, is it an interesting picture, or is it the woman? I had a lot of headaches with that, which was why it was interesting. I don't think I always got it straight.

At times people in the press were also useful to me.

It's got to do with the contention between content and form. Invariably that's what's responsible for its energies, its tensions, its being interesting or not.

Frame in terms of what you want to have in the picture, not about making a nice picture, that anybody can do.

I don't know if I'm really the fastest. It doesn't matter.

I photograph to see what the world looks like in photographs.

What if I said that every photograph I made was set up? From the photograph, you can't prove otherwise. You don't know anything from the photograph about how it was made, really.