You know, I really don't think you learn from teachers. You learn from work. I think what you learn, really, is how to be- you have to be your own toughest critic, and you only learn that from work, from seeing work.

For me anyway when a photograph is interesting, it's interesting because of the kind of photographic problem it states - which has to do with the contest between content and form.

I'll come back to New York. I think I'll start focusing in more on the entertainment business. I have been doing some of that already, all kinds of monkey business. But I'm all over the place, literally.

Two people could look at the same flowers and feel differently about them. Why not? I'm not making ads. I couldn't care less.

You see something happening and you bang away at it. Either you get what you saw or you get something else--and whichever is better you print.

I get totally out of myself. It's the closest I come to not existing, I think, which is the best - which is to me attractive.

Nobody sold prints then and prices didn't mean anything. In terms of earning your living, it was a joke.