I was surprised when I finally moved to Boston and the East Coast, to discover that there weren't that many vibraphone players around. And I was the only one playing with four mallets.

I was a big fan of Jim Hall as well. I liked his comping style, his accompanying. And that he played, generally, four note chords, the top four strings of the guitar.

I was surprised when I finally moved to Boston and the East Coast, to discover that there weren't that many vibraphone players around. And I was the only one playing with four mallets.

It keeps me in touch with younger musicians who are constantly saying, 'Have you heard this new artist, or this new guitar player?' It keeps you reaching.

I grew up in a farm town in Indiana. In the early years I played by myself, because there were no other musicians around.

I've discovered all kinds of music and done all kinds of music over the past 40 years, from playing tango with Piazzolla to all the different bands I've had.

But if you listen to great piano players, both classical and jazz, theres a huge range of dynamics and colors and emotional expression thats possible with the instrument.