After you publish a book, you become a writer and you're supposed to take it very seriously. You're supposed to show up at your desk - although frankly, I don't have a desk, I write in bed - you're supposed to show up at your bed and produce work. I think it's a little bit like work. I like to have fun with it, do things like make silly book trailers. I don't want to take this too seriously.

A lot of the ways of advertising a book - the cover, whether somebody sees it on a subway or sees it in a bookstore - those things are going to rapidly diminish as we move to an electronic model.

I was very, very sick when I was growing up in Russia. The ambulance constantly came to our house. I had horrible asthma that is easily treated in America, but they didn't even have inhalers back in Russia.

You want to read a book? That requires introspection. It requires time away from people and time away from the constant need to communicate and to connect.

Usually, with a novel, you start with no idea what to do because your job is to create convincing characters and then they just run around getting crazy. The problem with writing a memoir, obviously, is you can't do that because you sort of know what's going to happen. Because you're the character.

A writer or any suffering artist-to-be is just an instrument too finely set to the human condition [...]

Reading is difficult. People just aren't meant to read anymore. We're in a post-literate age. You know, a visual age. How many years after the fall of Rome did it take for a Dante to appear? Many, many years.