Communications devices were always used to effect change, to effect revolution. Telephone, telegraph - these all seemed like very big enhancements at the time.

I write almost entirely in bed or on a couch with my feet up on the coffee table. I feel most creative when Im looking out the window, and my bed and couch have nice views of the New York skyline.

I was very, very sick when I was growing up in Russia. The ambulance constantly came to our house. I had horrible asthma that is easily treated in America, but they didn't even have inhalers back in Russia.

I always think that good writers should be growing up on the brink of death - it really lets them see mortality very clearly.

Good fiction makes me turn off all the other parts of my brain, so that I become quiet and submissive, entirely at the mercy of the work at hand.

My hair would continue to gray, and then one day, it would fall out entirely, and then, on a day meaninglessly close to the present one, meaninglessly like the present one, I would disappear from the earth. And all these emotions, all these yearnings, all these data, if that helps to clinch the enormity of what I'm talking about, would be gone. And that's what immortality means. It means selfishness. My generations belief that each one of us matters more than you or anyone else would think.

We know summer is the height of of being alive. We don't believe in God or the prospect of an afterlife mostly, so we know that we're only given eighty summers or so per lifetime, and each one has to be better then the last, has to encompass a trip to that arts center up at Bard, a seemingly mellow game of badminton over at some yahoo's Vermont cottage, and a cool, wet, slightly dangerous kayak trip down an unforgiving river. Otherwise, how would you know that you have lived your summertime best? What is you missed out on some morsel of shaded nirvana?