Like, when we did Parliament and Funkadelic and Bootsy, it was actually one thing. But there were so many people that you could split them up into different groups. And then, when we went out on tour and they [the record companies] would see us all up there together - we had five, six guitars playing at one time, not including the bass! -, they said: "Wait a minute, that's just one whole group, selling different names!" But it wasn't - we had enough people in the group that each member would have a section to be another group. So now we're finally starting to get them to understand that.

Ko Un's poems evoke the open creativity and fluidity of nature, and funny turns and twists of Mind. Mind is sometimes registered in Buddhist terms - Buddhist practice being part of Ko Un's background. Ko Un writes spare, short-line lyrics direct to the point, but often intricate in both wit and meaning. Ko Un has now traveled worldwide and is not only a major spokesman for all Korean culture, but a voice for Planet Earth Watershed as well.

To work on behalf of the wild is to restore culture

The other side of the "sacred" is the sight of your beloved in the underworld, dripping with maggots.

Today we are aware as never before of the plurality of human life-styles and possibilities, while at the same time being tied, like in an old silent movie, to a runaway locomotive rushing headlong toward a very singular catastrophe

Our relation to the natural world takes place in a place.

Clouds sink down the hills Coffee is hot again. The dog Turns and turns about, stops and sleeps.