The poetic image exists apart from causality.

By listening to certain words as a child listens to the sea in a seashell, a word dreamer hears the murmur of a world of dreams.

Childhood lasts all through life.

The reverie we intend to study is poetic reverie. This is a reverie which poetry puts on the right track, the track an expanding consciousness follows. This reverie is written, or, at least, promises to be written. It is already facing the great universe of the blank page. Then images begin to compose and fall into place.

We must listen to poets.

Here we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima.

I am alone so I dream of the being who has cured my solitude, who would be cured by solitudes. With its life, it brought me the idealizations of life, all the idealizations which give life a double, which lead life toward it summits, which make the dreamer too live by splitting.