Literary imagination is an aesthetic object offered by a writer to a lover of books.

Here we are at the very core of the thesis we wish to defend in the present essay: reverie is under the sign of the anima. When the reverie is truly profound, the being who comes to dream within us is our anima. For a philosopher who takes his inspiration from phenomenology, a reverie on reverie is very exactly a phenomenology of the anima, and it is by coordinating reveries on reverie that he hopes to constitute a "Poetics of reverie". In other words, the poetics of reverie is a poetics of the anima.

Any comparison diminishes the expressive qualities of the terms of the comparison.

Instead of looking for the dream in reverie, people should look for reverie in the dream. There are calm beaches in the midst of nightmares.

Love is never finished expressing itself, and it expresses itself better the more poetically it is dreamed.

Thanks to his complex convictions, made strong with the forces of animus and anima, the alchemist believes he is seizing the soul of the world, participating in the soul of the world. Thus, from the world to the man, alchemy is a problem of souls.

There is no original truth, only original error.