Of course, any simplification runs the risk of mutilating reality; but it helps us establish perspectives.

An excess of childhood is the germ of a poem.

To live life well is to express life poorly; if one expresses life too well, one is living it no longer.

Thanks to his complex convictions, made strong with the forces of animus and anima, the alchemist believes he is seizing the soul of the world, participating in the soul of the world. Thus, from the world to the man, alchemy is a problem of souls.

One must always maintain one's connection to the past and yet ceaselessly pull away from it. To remain in touch with the past requires a love of memory. To remain in touch with the past requires a constant imaginative effort.

Why should the actions of the imagination not be as real as those of perception?

We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.