The academic area of new music or modern music festivals is not something which attracts me at all.
It makes sense to invest in new work. It's almost like having a research department in a scientific laboratory. You have to try things out. You'll make some bad mistakes. Some things will fail but at least you'll energise the organisation.
Craft is part of the creative process.
I know that John Adams has had a very hard time directing French ensembles.
Music history has flowed under the bridges for many years.
I remember once, when I started writing for the alto saxophone, a saxophonist told me to think of it as being like a cross between an oboe and a viola, but louder.