I've always thought that you just make everything as best as you can, and then, one day, people will look objectively at what you do, from a distance, and see its quality. All you try to do is keep the standard up so that, one day, when I sit back and I look at it all, I can feel really good about it.

Those times when I play on stage in front of lots of people, it's such an unusual and borderline unhealthy process, even though I love it and I really do it with humility. I don't have serfs getting me grapes after, or things like that.

The only people who benefit from lawsuits are lawyers. I think we made a couple of them rich.

Wherever you look there are inspirations, books, literature, paintings, landscapes, everything. Just living is an inspiration.

It's like a relay race of being ignored. It is really challenging, but whenever I get asked that stuff, I feel really self-conscious about it. I feel really lucky because we have a lot of help. When I first began to be a dad with Gwen [Stefani], I was amazed at what she went through.

As an artist, you're pretty sheltered backstage. You often don't know what's going on out there.

By just passing through things, I continue to slightly limit myself. I want the jobs that don't say that much. I'm often the stepping stone or the conduit from one thing to another. I love the idea of existing in a film and growing and having bigger arcs, and being in scenes where you're just being, as opposed to talking. That' one of my ambitions, lying ahead.