Somehow, something is always suffering. Someone is always losing out somehow. If you pick one kid up, you're not picking the other one up. You just try to minimize those small let-downs because, in a way, life is a series of let-downs from everyone, all the time. We don't mean it, but it happens. So, I just try to minimize that and spread them wide.

Wherever you look there are inspirations, books, literature, paintings, landscapes, everything. Just living is an inspiration.

It's a very selfish time. When I'm here at home, my responsibilities are far greater. I'm forced to be way more selfless. My priorities are so far down the list that it's hard to see them. And yet, when I'm on tour, I basically have to get the show right, every night, but the days are really constructed around selfish activities for self-improvement, or not. That's where I feel guilty because I know that life is going on full-speed when I'm not around.

I quite like Low, the band from Minnesota. They're absolutely mesmerizing. I get much the same feeling from anything that Will Oldham does.

It's pretty hard to make out what's going to be a commercial success and what's not.

I was in rock music in London when it was the height of Brit pop, with The Kinks revival and Suede and Blur and Oasis, and all of those really great bands that were of a certain style. If I'd really been smart and commercially minded, I would have just got myself a blazer and some Stay Press and some Fred Perry tops, and just gone out and tried to do it like everyone else. Instead, I did this ridiculous thing of trying to do this music.

I've always thought that you just make everything as best as you can, and then, one day, people will look objectively at what you do, from a distance, and see its quality. All you try to do is keep the standard up so that, one day, when I sit back and I look at it all, I can feel really good about it.