I believe that all literatures can have political uses and misuses. Sometimes politics can enhance, sometimes it can get in the way of imaginative literature. . . . I'm not sure one can be a creative writer and a politician -- not a "good" politician.

There are things that a woman sings, and only a woman knows the full meaning. You may sing for men as well as for women, but only a woman knows your full meaning. I am not a feminista. I only think a woman should be true to who she believes herself to be. Or who she wants herself to be. Or who she imagines herself to be. I don't know what I mean, or whether I'm true myself to any of that. I don't think there are many of us who are true to our possibilities.

I learned to write by listening to people talk. I still feel that the best of my writing comes from having heard rather than having read.

When you tell a story you automatically talk about traditions, but they're never separate from the people, the human implications. You're talking about your connections as a human being.

I don't like that word 'discovery.' ... Sinatra was the first one to call Ray Charles a genius, he spoke of 'the genius of Ray Charles.' And after that everybody called him a genius. They didn't call him a genius before that though. He was a genius but they didn't call him that. ... If a white man hadn't told them, they wouldn't've seen it. ... Like, you know, they say Columbus discovered America, he didn't discover America.

I believe that all literatures can have political uses and misuses. Sometimes politics can enhance, sometimes it can get in the way of imaginative literature. . . . I'm not sure one can be a creative writer and a politician -- not a "good" politician.

You change the rhythm of the talk and respoonse and you change the rhythm between the talk and the response.