Instead of trying to manufacture feelings, use the way you already feel. Or at least add that in.

I just passed on some a script that I was sent, because I said, "I haven't yet played the person staying home, the one that says, 'Good luck, honey,' or whatever." And so that's what I look for. Therefore, by virtue of that exclusion, I'm always trying to find roles that are challenging.

The more hours of television a girl watches, the fewer options she thinks she has in life.

My parents are both from Vermont, very old-fashioned New England. We heated our house with wood my father chopped. My mom grew all of our food. We were very underexposed to everything.

After a couple of rehearsals and a couple of takes, Sydney Pollack says, "Come here. Why are you not nervous?" And I [say], "Do you think it would be better if I was nervous?" And he says, "No, it's just I can't understand it - how you would be first time on a set, you're acting, when he flubs his line you make up a new line. It's very interesting." It's not that I think I'm great; that's what I knew I wanted to do.

I haven't ever gone to any Mensa meetings.

When I started watching Breaking Bad, I binge-watched it. I thought it was so good that I started to cry. It's the only time in my life I've been completely jealous, the only time. I was like, [imitates crying] "I want to do what Bryan Cranston gets to do. I want a part like that." [both laugh] Isn't that pathetic?