The only movies I saw till I was 17 were made by Disney. My parents had this thing. Disney was like, you know, "Ford is a good car. Disney makes good movies that are good for kids and safe."

We have it in our heads that women only need to take up a certain amount of space and then we've done right by them. It's the same in every profession. We get a handful of women professors, a few female board members - that looks normal.

The thing I noticed, have learned the most about directors, is: when they're very confident in themselves, they're open to creativity from other people. If they're scared or nervous, then they shut off and nobody's ideas [count].

Even though I was 34 or 35 or something. I was like, “People can do that? Women can actually just say what they think?” It was an extraordinary experience to do that movie with her because every day was a lesson in how to just be yourself.

I once read a quote that I think was Michelle Pfeiffer in an article, who said that she thought people went into acting because maybe if you could convince millions of people to like you, you will finally like yourself, approve of yourself. I don't know if that may have been a part of it.

After a couple of rehearsals and a couple of takes, Sydney Pollack says, "Come here. Why are you not nervous?" And I [say], "Do you think it would be better if I was nervous?" And he says, "No, it's just I can't understand it - how you would be first time on a set, you're acting, when he flubs his line you make up a new line. It's very interesting." It's not that I think I'm great; that's what I knew I wanted to do.

I meet Susan [Saradon], and she was amazing. We sit down to go through the script [Thelma & Louise]. I swear, I think it was page one - she says, "So my first line, I don't think we need that line. Or we could put it on page two. Cut this ..." And I was just like ... My jaw was to the ground.