Nobody ever said, "Well if you want to be in movies, you should go to L.A." Everybody else was going to New York. So I went to New York with them. And then I was like, "How am I supposed to get a movie?"

I meet Susan [Saradon], and she was amazing. We sit down to go through the script [Thelma & Louise]. I swear, I think it was page one - she says, "So my first line, I don't think we need that line. Or we could put it on page two. Cut this ..." And I was just like ... My jaw was to the ground.

The film festival is in a town in Arkansas, a quintessentially American town with a little town square. It's to champion women and diversity in all media, so TV, movies, eventually, digital, whatever you get into. That's the goal. We're using the same philosophy as my institute, which is to make it research-based and really try to work directly with filmmakers and content creators and move the needle. It's the only film festival in the world where the prizes are guaranteed distribution.

[My aunt] took me to my first play, too, which was dinner theater. I don't know if they have that in England, but you eat a dinner while you watch a play. And she ordered a glass of wine. I was like, "Oh my God. This is, like, the most sophisticated thing I have ever done."

I'm such a wuss. But I know that The Exorcist [1973] is one of the best and most famous of [horor movies].

I don't really bust anybody publicly. It's much more efficient if I can impact the creators. So that's what we do. It's had a great impact.

A woman as the leader of the Free World is an impossibility. Muslim countries won't talk to you.