We are in effect enculturating kids from the very beginning to see women and girls as not taking up half of the space.

An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."

The only time I got the absolute most insanely nervous in my life was at the Olympic trials, because archery is a horrible spectator sport. Nobody goes and watches an archery tournament. Because the targets are three-quarters of a football field away. Who can tell who's winning? You can't even see your own target from where you are.

I was really lucky that I had an aunt who was very inspiring to me. She was different than anybody in my family on either side.

I drive [Susan Sarandon] nuts. I'm always talking about her being my hero. I'm sure she's probably sick of it.

The film festival is in a town in Arkansas, a quintessentially American town with a little town square. It's to champion women and diversity in all media, so TV, movies, eventually, digital, whatever you get into. That's the goal. We're using the same philosophy as my institute, which is to make it research-based and really try to work directly with filmmakers and content creators and move the needle. It's the only film festival in the world where the prizes are guaranteed distribution.

The second I finish shooting something, I know I could have done it better if we started right then.