I would say how important it is that we stop teaching kids, from the beginning, that boys are more important than girls. It's the 21st century, you know, let's go here. We have to show kids that boys and girls share the sandbox equally and do equally interesting things. We're teaching kids something that we have to try to get rid of later on. Why not just stop filling them with unconscious gender bias?

When I started watching Breaking Bad, I binge-watched it. I thought it was so good that I started to cry. It's the only time in my life I've been completely jealous, the only time. I was like, [imitates crying] "I want to do what Bryan Cranston gets to do. I want a part like that." [both laugh] Isn't that pathetic?

Ridiculously - fortunately - my first job was with Dustin Hoffman. I had a little part in this movie called Tootsie. And he taught me how to watch dailies. That it was very important.

If it isn't a success, that still wouldn't be grounds for divorce.

On film, you can't do it over again. And you do have to stop shooting at a certain point.

I think if you're doing a play, you're rehearsing enough that you get to a point where it's freeing again. But in a movie, if you rehearse too much, now you've just shown everybody what you're going to do. And any element of surprise or impulsiveness is taken away.

For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].