On film, you can't do it over again. And you do have to stop shooting at a certain point.

That's the really frustrating thing, but also the fixable thing. My theory why no one notices is that that's the [women's roles] ratio thing they grew up with. It's just been that way forever, so they don't see it.

I would say any film can be called feminist that has female characters who have agency in their life, that are in charge of their fate or do important things or take up half the space. I would consider a film feminist, I don't care what it's about, but if the cast was gender balanced, where it would be just as likely that the boss or the best friend or whoever was female. It's really as simple as showing women being in charge of their destiny and giving female characters a voice.

I got cast playing the best baseball player anybody's ever seen. I don't know how to play any sport, including baseball, but I trained really hard. They had these great coaches, and they started saying, "Wow, you have some like really untapped athletic ability."

The second I finish shooting something, I know I could have done it better if we started right then.

Ridiculously - fortunately - my first job was with Dustin Hoffman. I had a little part in this movie called Tootsie. And he taught me how to watch dailies. That it was very important.

I had a deliberate plan to get into movies by becoming a model, so I went to New York and got a job pretending to be a mannequin in store windows.