They called and said, "I know we're not supposed to even tell you, but you've been offered to play the President." And I said, "OK. Say yes." And they were like, "Do you want to read it maybe?" And I was like, "No, I just want to be the president."

For a long time, way back in the ’30s and ’40s, there were fabulous female roles. Bette Davis and all those people had incredible, great roles. After World War II, something happened where it was not only "get out of the factories," but "get out of the movies." That's when women's roles started to really [change].

~There are moments when I feel like I have a looong road ahead of me, with college and dating and driving and all of that. But then I realize it just means that I have so much time left to enjoy my kids. And it really does go by so quickly.~

I really only did theater in school in college. I did summer stock a couple of times in the summer, and plays that the school put on. But I knew I wanted to be in movies.

If it isn't a success, that still wouldn't be grounds for divorce.

My scripts are always filled with notes. I like to just analyze everything from the point of view of the whole picture, of the movie, my whole picture.

I would say any film can be called feminist that has female characters who have agency in their life, that are in charge of their fate or do important things or take up half the space. I would consider a film feminist, I don't care what it's about, but if the cast was gender balanced, where it would be just as likely that the boss or the best friend or whoever was female. It's really as simple as showing women being in charge of their destiny and giving female characters a voice.