I wanted to take up a sport the real way and see if I actually had athletic ability. And then I happened to see it was during the Atlanta Olympics. And there was a lot of coverage of archery because the U.S. men's team won all the medals. And I thought, "Wow, that's beautiful. And it's so dramatic, a beautiful sport. And I wonder if I would be good at it?"

Behind the cameras, there's a different problem, which I think is not unconscious gender bias. It's probably categorized more as conscious gender bias. Because everybody's known the numbers for decades. Nobody's stunned to hear there are very few female directors, only 4 or 7 percent. Everybody knows, but it doesn't change anything. It doesn't make people say, "Wow! We should change that." Nothing happens. It's utterly stagnant.

When I got pregnant, I told [Susan Sarandon ]. She said, "All right. I'm gonna tell you the thing to do when you're giving birth: Push like you're trying to win a prize, like you want to be the best patient he's ever had. He's going to give you a prize for winning that." So I did. [The doctor] said, "You are probably the best pusher I've had as a patient."

When I started watching Breaking Bad, I binge-watched it. I thought it was so good that I started to cry. It's the only time in my life I've been completely jealous, the only time. I was like, [imitates crying] "I want to do what Bryan Cranston gets to do. I want a part like that." [both laugh] Isn't that pathetic?

Everything I do, I want to take it to the farthest possible degree. I can't just do something the plain way. I don't cook a bowl of pasta; it has to be puff pastry swans.

That's the really frustrating thing, but also the fixable thing. My theory why no one notices is that that's the [women's roles] ratio thing they grew up with. It's just been that way forever, so they don't see it.

One thing is a fairly simple and straightforward thing. I don't long to direct. I really want to get some good parts.