Actors fall into this trap if they missed being loved for who they really were and not for what they could do - sing, dance, joke about - then they take that as love.

I'm in complete remission. I'm alive and well.

I'm not very funny in real life. I used to want to be a comedian when I was 13, 14, 15, till I saw "Death Of A Salesman" with Lee J. Cobb and Mildred Dunnock.

You say the character [of Leo Bloom] was meek and insecure, and you could've been describing me as well. I was a very shy person in those days, and working with Zero [Mostel], who was bigger than life, helped me grow. Zero was a strong influence on me.

My basic mistake in 'The World's Greatest Lover' was that I made the leading character a neurotic kook and sent him to Hollywood. I should have made him a perfectly normal, sane, ordinary person, and sent him to Hollywood. The audience identifies with the lead character.

I'm funny on camera sometimes. In life, once in a while. Once in a while.

Anyway, when I got out of the Army, I went to see a therapist. And she said, what seems to be the trouble? And I said I want to give all my money away. And she said, how much do you have? And I said, I owe $300. She stared at me for several seconds, and she said, I see. Well, let's get to work. And maybe by the time you do have some money, you'll be wise enough to know what to do with it.