Anyway, when I got out of the Army, I went to see a therapist. And she said, what seems to be the trouble? And I said I want to give all my money away. And she said, how much do you have? And I said, I owe $300. She stared at me for several seconds, and she said, I see. Well, let's get to work. And maybe by the time you do have some money, you'll be wise enough to know what to do with it.

When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.

If you're not gonna tell the truth, then why start talking?

In fact, [Gene Wilder] had made a hysteric seem considerably less funny in his film debut as a terrified undertaker in "Bonnie And Clyde." And neurotics soon became his stock-in-trade, whether he was playing the weird title character in "Willy Wonka And The Chocolate Factory..."

Anyway, when I got out of the Army, I went to see a therapist. And she said, what seems to be the trouble? And I said I want to give all my money away. And she said, how much do you have? And I said, I owe $300. She stared at me for several seconds, and she said, I see. Well, let's get to work. And maybe by the time you do have some money, you'll be wise enough to know what to do with it.

I met Richard Pryor for the first time in Calgary, in Canada. A very quiet, modest meeting.

Because we had to convince the scientific members of Transylvania that with the procedure I was using on the creature, Dr. Frankenstein could be taught to be a civilized human being, what I called a man about town. Instead of a monster who's going to kill their children, it was someone who could sing and dance.