I published so many books, which, for years, didn't get published here in America, at all - and which barely got any attention in England. So it wasn't going to take much to make me feel suddenly famous. So - yeah - after 20 years, I'm an overnight success.

The process of book writing for me is entirely one of trial and error.

Getting too much money too soon can be really bad. There's a balance to be kept - the right balance between new experience and a certain stability in one's life. I'm conscious of all these things in a way that, earlier on, I was only conscious of circumstantial stuff, like, money.

I want to stress, this is the experience-growing up in a working-class family-that defined me and continues to define me. It's the core of my being. And it explains, incidentally, a good deal about my love of America.

These days any self-respecting exhibition of nude photos has to have pornographically explicit images to prove that they are works of art.

I think I can recognize when a piece is at a state of completion. I always say to my wife, "Oh yeah, it's roughly finished." I've got it there. And then there's that whole other phase of moving on to properly amp up the sentences and sometimes to move stuff around as well.

People say it's not what happens in your life that matters, it's what you think happened. But this qualification, obviously, did not go far enough. It was quite possible that the central event of your life could be something that didn't happen, or something you thought didn't happen. Otherwise there'd be no need for fiction, there'd only be memoirs and histories.