I decided few years ago to leave the bar to pursue a career in politics because I wanted to make a contribution in Parliament.

The great works belong to no one nation, no one cultural tradition even. They are universal.I want an Australian vision of arts policy that is expansive, is embracing, is not narrow, is not parochial. For example, that Australians can do Shakespeare just as well as Englishmen can because we, like every civilised nation, partake of the great canonical works. It's not about Australian nationalism; it's about our identity as a culturally ambitious, culturally sophisticated nation.

The thing about Dickens is you either love him or you hate him and I fell in love with Dickens, I fell in love with his prose style and I decided that I wanted to read the whole Dickens verve during the course of my life.

I've always been a lover of classical music ever since I was an early teenager I suppose. I remember the very first piece of classical music that grabbed me was I bought an LP of Daniel Barenboim performing Mozart's piano concertos and I would have been about 14 or 15 at the time and I remember I played it over and over again.

Well everyone's careers is a series of steps, but being the President of the Young Liberals or the President of a Liberal society at university is an important step in the Liberal Party in terms of being noticed and making your name known.

I would say to the people of Queensland, and to all listeners around the country, is that if you want stable government in the next term of parliament, it's not just enough to reelect the [Malcolm] Turnbull government. It's also important to elect a senate which will be able to deal with the important reforms, with the important legislation, in a way in which the senate in the last parliament was unable to deal with.

I was President of the Queensland Young Liberals in 1981.