We try to make films for people [that are] the films that we'd like to see. They're not easy to get made. They're hard to get made. You have to keep the budget low to get them made. But at the end of the day, I don't really worry about competition, because I don't really think of it that way. I don't feel like I'm in a race with anybody.

See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.

What I try to do is make sure that the directors I'm working with are on the same page and want to do the same kind of films. You can really protect yourself as an actor if you work with really good people. It can hide a lot of flaws along the way.

"Is Art worth dying for?" Well I don't know a single inanimate object that's worth dying for.

At the core of every religion is the belief that we care for everyone....It's not too late to help a neighbor in need and to do it with the swiftness, expertise, generosity and love that resides in the best of who we are.

Most of the films I've done haven't done particularly well. I'm surprised I'm continuing to work.

'Ides of March' I did for scale - scale as a director, scale as an actor, scale as a writer.