I look at scripts as good or bad. If it's bad, it better pay a lot of money.

He caught that with the outside of his instep.

Cary Grant was on the back lot one time doing a movie called "North by Northwest." I would see Cary outside the stage, and he would sit on a set chair and had one of those reflectors. He wanted this tan so he didn't have to use makeup.

And in reaching out and doing these new things you get into this strange kind of shape where you are better off than if you were just resting, because you're using things that wouldn't otherwise be mute.

Woody [Allen] is a fascinating character to be around. You don't really know what he's going to want. You're on your toes, but you're on your heels too, if you know what I mean.

One works in this business - if one works. You do different types of movies.

At MGM there was a script cage in the basement where they’d show rushes. And I thought to myself, “How do I get into the script cage and find out what my future is?” I climbed into the script cage one night and spent the whole night in there. I saw the bowels of MGM. I saw the studio scripts that the producers had seen; the writers had just handed them in. And I started thinking this is a chance to pick my own roles.