When you hear Treat's [ Williams] doing a movie, or you'd like to work with Treat again, you hope the script is good. And then you find out the script is good. You go and you do it for the fun of it. And you feel like you can be proud of something.

There came [a script called] “Dracula Sucks.” Now, I liked “Dracula Sucks,” but we gotta change [the title]. They said, “If you like that, you’re going to like this: ‘Zorro the Gay Blade.’” I decided I was going to go out and raise the money and develop my own projects. And that’s what I did. I made “Love at First Bite” and I made “Zorro the Gay Blade.” [Script rewriter Hal Dresner] and I put together “Zorro” in about eight weeks.

I'm not known as a singer, but in life I like to do things that are a bit beyond my reach to keep myself from slipping. I find that technology has made it so that we don't need to have a memory system, and as I get older I want to do things that challenge me. What could be more challenging than doing this show with a knee that's been replaced, after tearing my Achilles heel with a baker's cyst on the back of my knee? And then I have to try and dance!

At MGM there was a script cage in the basement where they’d show rushes. And I thought to myself, “How do I get into the script cage and find out what my future is?” I climbed into the script cage one night and spent the whole night in there. I saw the bowels of MGM. I saw the studio scripts that the producers had seen; the writers had just handed them in. And I started thinking this is a chance to pick my own roles.

One works in this business - if one works. You do different types of movies.

Democracy has now become corrupted by the nature of the funders.

And in reaching out and doing these new things you get into this strange kind of shape where you are better off than if you were just resting, because you're using things that wouldn't otherwise be mute.