When you hear Treat's [ Williams] doing a movie, or you'd like to work with Treat again, you hope the script is good. And then you find out the script is good. You go and you do it for the fun of it. And you feel like you can be proud of something.

After I got out of the studio system, I was completely [broke] for the 30th time; they said I’d never work again. So I’m going to go and produce those movies that they wouldn’t let me do.

When I said they'd scored two goals, of course I meant they'd scored one.

One day when I was working on a movie, I stayed at the beach a little too long, and they said, “You are going to ruin a whole day of shooting because you’re so dark. Two days ago you weren’t like this!” So I started putting that in the character; I made him suntanned all the time.

I doubt anyone in Hollywood has had more 'dates' than me.

And in reaching out and doing these new things you get into this strange kind of shape where you are better off than if you were just resting, because you're using things that wouldn't otherwise be mute.

The first thing my agent told me in 1959 was he said you have to have something recognizable that people will remember. “What are you? Do you have cleft in your chin? You have a Jimmy Stewart kind of talk?” And I thought I don’t know what I can give them that will be different.