Generally in my films like Hearts of Darkness or Picture This, I try not to make myself a presence in the film.

Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.

Theres something unique about the United States, a sense of individual rights and freedoms, and a sense of social and civic responsibility that we contributed to so much of the world. We lost that mission in the 1980s and 1990s, when we entered a gilded age, and the culture of individualism became a culture of avarice.

At times doc filmmaking feels more rewarding creatively. Because you are creating something out of pure cinema - instead of narrative cinema, where you've got a script and a cast and you build from your foundation, whereas in documentary, you're building out of chaos.

Generally in my films like Hearts of Darkness or Picture This, I try not to make myself a presence in the film.

Im fascinated by failure, and Im fascinated by finality. Shakespeares historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful.

I always say be humble but be firm. Humility and openness are the key to success without compromising your beliefs.