Obviously you have a responsibility - one would like to think there is such a thing as ethics in filmmaking.

Obviously you have a responsibility - one would like to think there is such a thing as ethics in filmmaking.

The promise of celebrity is a transcendental human state of existence. It's not real. We do know the fact that celebrities as mortal beings exist and if you are looking for love by being famous or being around the famous - ultimately that goes away.

Narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verité is film in its purest form. You're taking random images and creating meaning out of random images, telling a story, getting meaning, capturing something that's real, that's really happening, and render this celluloid sculpture of this real thing. That's what really separates the power of doc filmmaking from fiction.

I think that narrative, fiction filmmaking is the culmination of several art forms: theater, art history, architecture. Whereas doc filmmaking is more pure cinema, like cinema verite is film in its purest form.

Most people, 95% of people, are good people. Its the 5% who get seduced by power.

The arc of the celebrity phenomenon ultimately is: everything turns to dust and everything does go away.