The technology keeps moving forward, which makes it easier for the artists to tell their stories and paint the pictures they want.

Learning to make films is very easy. Learning what to make films about is very hard.

You want people to think. You want people to be emotionally moved. And there's a theory behind that in terms of storytelling. It has been around for thousands of years. And that's where something like live theater or a live performance is something that is very valuable because you get instant feedback from your audience and you kind of know the things that work and the things that don't work.

Over time I began to realize that the level of cinema criticism in the last part of XX century in the United States was pretty low. The institution itself is not what it's supposed to be, and I realized that I didn't need to take that seriously.

I am a giant proponent of giant screens. But I accept the fact that most of my movies are going to be seen on phones.

I wanted to transfer to an art school, and ended up going to the University of Southern California. They had a cinematography school, and I said "Well, that's sort of like photography, maybe that will be interesting." And once I started in that department, I found what it was that I loved and was good at.

I think that God gave us a brain, and that it's the only thing we have to survive. All life forms have some advantage, some trick, some claw, some camouflage, some poison, some speed, something to help them survive. We've got a brain. Therefore it's our duty to use our brain.