Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops.

Possibly, a crush is merely the attraction a person has for another person. Most relationships start with some sort of attraction. You see someone you like or you see things about a person you like and feel attracted to them. Many mistake this for love, but attraction is a powerful force.

Rare is the human being, immature or mature, who has never felt an impulse to pretend he is some one or something else.

No drama, however great, is entirely independent of the stage on which it is given.

We do not kill the drama, we do not really limit its appeal by failing to encourage the best in it; but we do thereby foster the weakest and poorest elements.

In the best farce today we start with some absurd premise as to character or situation, but if the premises be once granted we move logically enough to the ending.

Farce treats the improbable as probable, the impossible as possible.