When you go to Washington and get off at Union Station, as I sometimes do, and see the Capitol building, I get this hopeless feeling that comes over me.

It's a cliche that the Senate is broken, and like most cliches, it's true.

Politics should seize the imagination.

The biggest issue for me is whether large numbers of Americans can begin to think that government can actually help make the country a fairer place. And that's partly a matter of policies that achieve results in terms of reducing inequality and raising middle-class and working-class incomes, which have been flat for decades. But it's also symbolic and rhetorical, it's whether Hillary Clinton can - or whoever's president - can persuade Americans that it's happening and that they can begin to trust their elected officials a little bit more and their institutions of government a little bit more.

The way Donald Trump talks about the problems of black Americans as a kind of separate group who are not part of his audience but he's kind of reaching over his audience or behind his audience to black Americans, saying what have you got to lose? As in you might as well join me because the Democrats haven't done anything for you. But joining me means joining this group that already supports me.

I don't know if it's a male thing, but I've always been interested in how people respond to the stresses and dangers of war, how they react under fire. In the extremity of war, character is revealed.

This is why mustard gas is such a danger or any weapon of mass destruction is such a dangerous thing because it - it's victims become everyone in the end.