Soon it began to drizzle for the second time that night. The drops grew heavier and became visible in the headlights of the cars. It was said by some of the police on the scene that God was crying for the girl in the garden. To others, it was only rain.

I can write any kind of novel I want, any time, and sell it, but there's not that many people watching it. Even a low-rated TV show is a couple million more people than read my books. You want to be read, in essence. If you're a television writer, you're a writer and you want people to read your stuff. You're still reaching a bigger audience, that way. That's a philosophical way to look at it.

We remember when women were spoken of differently. I don't mean that we didn't speak of women sexually - that happened. It was never this crude: there wasn't the connotations, the violence. I think there's got to be a relationship between the coarsening of the culture, of which pornography was a piece of the puzzle.

Top-shelf fiction, a Crown Royal ride into the heart of Night and New York. Con Lehane's work is reminiscent of the best of Lawrence Block, which is to say that this is very good stuff, indeed.

In Europe, I'm recognized on the street sometimes. And that's cool, because I don't have to live there and deal with it every day. Unless you're Stephen King - a great writer, by the way, and anyone who says different knows nothing about the craft - you're more likely to be recognized in America if you play in a soap opera than if you're a novelist.

The most popular American fiction seems to be about successful people who win, and good crime fiction typically does not explore that world. But honestly, if all crime fiction was quality fiction, it would be taken more seriously.

The thirst for knowledge is like a piece of ass you know you shouldn't chase; in the end, you chase it just the same.