Top-shelf fiction, a Crown Royal ride into the heart of Night and New York. Con Lehane's work is reminiscent of the best of Lawrence Block, which is to say that this is very good stuff, indeed.

I don't believe that murders can be "solved." I think that this is the big lie of the mystery novel, that you should close the book and feel that the world is back in order and everything's all right. I want the reader to know that the world is not all right, and maybe we ought to do something about it.

The thirst for knowledge is like a piece of ass you know you shouldn't chase; in the end, you chase it just the same.

If the storytellers told it true, all stories would end in death.

What's more interesting are the dynamics between people that involve hypocrisy or ignoring each other. That's what I want to write about. I like to make people uncomfortable because it's something we should be uncomfortable about.

Top-shelf fiction, a Crown Royal ride into the heart of Night and New York. Con Lehane's work is reminiscent of the best of Lawrence Block, which is to say that this is very good stuff, indeed.

In Europe, I'm recognized on the street sometimes. And that's cool, because I don't have to live there and deal with it every day. Unless you're Stephen King - a great writer, by the way, and anyone who says different knows nothing about the craft - you're more likely to be recognized in America if you play in a soap opera than if you're a novelist.