The worst kind of novel is one that blames other people for the racial problem in order to make the reader feel good about himself. As if it's only rich white people or Republicans or conservatives who have this disease.

In Europe, I'm recognized on the street sometimes. And that's cool, because I don't have to live there and deal with it every day. Unless you're Stephen King - a great writer, by the way, and anyone who says different knows nothing about the craft - you're more likely to be recognized in America if you play in a soap opera than if you're a novelist.

I don't believe that murders can be "solved." I think that this is the big lie of the mystery novel, that you should close the book and feel that the world is back in order and everything's all right. I want the reader to know that the world is not all right, and maybe we ought to do something about it.

We remember when women were spoken of differently. I don't mean that we didn't speak of women sexually - that happened. It was never this crude: there wasn't the connotations, the violence. I think there's got to be a relationship between the coarsening of the culture, of which pornography was a piece of the puzzle.

What's more interesting are the dynamics between people that involve hypocrisy or ignoring each other. That's what I want to write about. I like to make people uncomfortable because it's something we should be uncomfortable about.

I'm proud to be a crime novelist. What I've chosen is the best way to convey the questions I'm trying to raise.

The crime part is the engine that moves the narrative and allows me to write the other things I want to write about.