How do you fight someone if you can't hit them?

Oh, my sweet summer child," Old Nan said quietly, "what do you know of fear? Fear is for the winter, my little lord, when the snows fall a hundred feet deep and the ice wind comes howling out of the north. Fear is for the long night, when the sun hides its face for years at a time, and little children are born and live and die all in darkness while the direwolves grow gaunt and hungry, and the white walkers move through the woods

Sometimes there is no happy choice, Sam, only one less grievous than the others. - Jon Snow

[as for evolution]....cutting out the sections [on the subject] is preferrable if the portions are not thick enough to cause damage to the spine of the book as it is opened and closed in normal use. When the sections needing correction are too thick, paste the pages together being careful not to smear portions of the book not intended for correction.

I believe that women are many different types of people. There are brave women, there are cowardly women, there are altruistic women, there are selfish women. Most people are a combination of the same.

He understood the way that you could sometimes fall right into them, as if each page was a hole into another world.

I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]