Even the sky was grey. Grey and grey and greyer. The whole world grey, everywhere you look, everything grey except the eyes of the bride. The eyes of the bride were brown. Big and brown and full of fear.

I am not going to get into it myself, except to say (1) if I am writing "boy fiction," who are all those boys with breasts who keep turning up by the hundreds at my signings and readings? and (2) thank you, geek girls! I love you all.

I don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]

The wildlings seemed to think Ygritte a great beauty because of her hair; red hair was rare among the free folk, and those who had it were said to be kissed by fire, which was supposed to be lucky.

These old knights are more cunning than you think, or they would never have lived to see their first grey hair.

What was it Catelyn Stark had called them, that night at Bitterbridge? The knights of summer. And now it was autumn and they were falling like leaves.

An awful lot of fantasy, and even some great fantasy, falls into the mistake of assuming that a good man will be a good king, that all that is necessary is to be a decent human being and when you're king everything will go swimmingly.