Sometimes the best way to baffle them is to make moves that have no purpose, or even seem to work against you
George R. R. MartinI don't like the strictly objective viewpoint [in which all of the characters' actions are described in the third person, but we never hear what any of them are thinking.] Which is much more of a cinematic technique. Something written in third person objective is what the camera sees. Because unless you're doing a voiceover, which is tremendously clumsy, you can't hear the ideas of characters. For that, we depend on subtle clues that the directors put in and that the actors supply. I can actually write, "'Yes you can trust me,' he lied." [But it's better to get inside the characters' heads.]
George R. R. MartinHis eyes were open wounds beneath his heavy brows, a blue as dark as the sea by night.
George R. R. MartinThey are children, Sansa thought. They are silly little girls, even Elinor. Theyโve never seen a battle, theyโve never seen a man die, they know nothing. Their dreams were full of songs and stories, the way hers had been before Joffrey cut her fathers head off. Sansa pitied them. Sansa envied them.
George R. R. Martin