I think people have come to expect that in artistic representation; that every work of art should be a work of extravagant hope.

It's funny with fiction - once you cut something, it hasn't happened anymore.

I'm fascinated with actors, and I've never quite understood the process.

As Flannery O'Connor says, a person can choose what she writes but she can't choose what she makes live. Some people are really acoustic writers and so for them the secret revision is sound. Other people may revise in terms of the way a paragraph feels. There's a million ways to do it.

My habit would have been to veer towards the dark - to prove I was something; edgy, or maybe to prove that I was cognisant of the dark side. Now, with age and confidence, I can say, yeah, that's true, but I am cognisant of the fact that people can do things well. And can be more loving than you expect.

I have a sense that God is unfair and preferentially punishes his weak, his dumb, his fat, his lazy. I believe he takes more pleasure in his perfect creatures, and cheers them on like a brainless dad as they run roughshod over the rest of us. He gives us a need for love, and no way to get any. He gives us a desire to be liked, and personal attributes that make us utterly unlikable. Having placed his flawed and needy children in a world of exacting specifications, he deducts the difference between what we have and what we need from our hearts and our self-esteem and our mental health.

One of the inspiring things about Susan Sarandon career is that there's a quality of real fearlessness in it - you seem to be in it for the challenge and the experience.