This whole literary game of trying to put yourself in the shoes of your opponent is good for everybody. It leaves you more open-hearted, it gives you a more accurate vision of the other person, because it's more based on curiosity than projection. In the end if you do have to fight, you're better equipped to fight. Also it doesn't leave you damaged at the end, it doesn't leave you hateful or malformed by your own anger.
George SaundersI've had the thought that a person's 'artistic vision' is really just the cumulative combination of whatever particular stances he has sincerely occupied during his creative life - even if some of those might appear contradictory.
George SaundersI'm always nice when I do drugs. But, you know, I'm nicer on the drug called "writing."
George SaundersI think that feels like it to me. I mean whenever you talk about writing I think you have to remember that it all has a big question mark over it - every word has a big question mark over it.
George SaundersThe weird thing was that I went to Trump rallies thinking I was going to run into militant, right wing, racist people and mostly I didn't. That should have been a clue to me. The people I talked to were not, on the surface level, crazy. They were quite nice, quite normal, employed, and actually were wealthier than the press at that time would have led us to believe. At that time, the narrative was that these were all working poor but these were not working poor. That should've been a clue to me that this was a little bigger than I thought.
George SaundersIn the reason that the contrast between the absolute and the relative is so terrible is because we believe so fully in ourselves as permanent, continuous, and central. I feel insane saying this, but if one weren't so deluded about the permanent reality of the self, a lot of this pain would actually lessen.
George SaundersI had to go in and do the work of toning [invented "historical" bits] down in order to make them fit [in Lincoln in the Bardo]. It's like if you're an actor and you're always overacting, well, you're a bad actor. But if you're an actor who subdues yourself to the extent that's necessary, then you're really acting.
George Saunders