I think in our time, you know, so much of the information we get is pre-polarized. Fiction has a way of reminding us that we actually are very similar in our emotions and our neurology and our desires and our fears, so I think it's a nice way to neutralize that polarization.

I think even like Saddam Hussein or Hitler would wake up and say, "I think it's going to be a good day. I'm gonna do some really important work." And given their definition of good, they went out and did horrible things.

I don't like that new age posture where you kind of tilt your head. I don't like that posture right now. I want something a little more confident and more sure of the values that we're defending, which are the old ones, love and empathy and patience and tolerance and civility. Not to get into politics or anything.

It's one thing to be a perfectionist when you're alone, but when you're trying to make it work in an ensemble that's a whole different deal.

If you at least try to do the things that excite you, it will make you a more expansive and present person - you’ll feel, at the end of your life, that at least you took the shot.

I think the trick of being a writer is to basically put your cards out there all the time and be willing to be as in the dark about what happens next as your reader would be at that time. And then you can really surprise yourself. There's that cliche, "No surprise for the writer, no surprise for the reader!"

I came to writing kind of late. I was an engineer, and the one thing I've learned is that you have to steer a project in the direction of the maximum fun for you. You could say lively energy, or you have to try to be intrigued. Basically, if you were a musician and you were playing joylessly, nobody would want to hear you.