While writing this book [Lincoln in the Bardo], [idea of inclusion] occurred to me, you either believe in the Constitution or you don't. If you do, it's intense in what it wants of us.
George SaundersMore and more these days what I find myself doing in my stories is making a representation of goodness and a representation of evil and then having those two run at each other full-speed, like a couple of PeeWee football players, to see what happens. Who stays standing? Whose helmet goes flying off?
George SaundersI'm always nice when I do drugs. But, you know, I'm nicer on the drug called "writing."
George SaundersThere's also a way that you have of being precise but also allusive, that works well for me - it's something about the open-hearted way you frame your queries. Instead of feeling daunted or discouraged, I feel excited to give whatever it is a try. This takes a lot of editorial wisdom and confidence - to know just how to get the writer to take that extra chance.
George SaundersWhile I'm doing [writing], I don't feel it.I don't think that's a failing. I think it's just a feature. Like, a feature of oneself.
George SaundersI came away believing and really deeply troubled by is the extent to which you can have two well-intentioned people talking in a friendly spirit and you get to a point where the two mutual mythologies just don't intersect. So kind of the next piece I'd like to write or think about is how did this left-right divide get so weird and codified.
George Saunders