Whether you're eighteen or sixty, in a certain way, whatever you know is valid.

It's a time when a lot of principle virtues are being tested. Do we still believe in the truth? Do we still believe in empathy? Do we still believe the protection of the weakest among us? These are yes or no questions, but the means of communication is all tied up with those virtues and you can't abandon those virtues as you pursue them.

I'm such a baby if I even get a flu.

I would kind of, you know, go stand next to some unlucky guy and say eventually, Hi, I'm George. You know, I'm with The New Yorker. I'm a liberal. I'm somewhat left of Gandhi. Do you want to talk? And, you know, they always did.

The best thing we can bring to any fight is a calm and compassionate mind.

On a more technical level, a story takes a lot of words. And to generate words and phrases and images and so on, that will compel the reader to continue reading - that stand a chance of really grabbing a reader - the writer has to work out of a place of, let's say, familiarity and affection. The matrix of the story has to be made out of stuff the writer really knows about and likes. The writer can't be stretching and (purely) inventing all the time. Well, I can't, anyway.

This may be the one clear truth of the so-called border issue: Put a poor country next to a rich one and watch which way the traffic flows. Add impediments, the traffic endeavors to flow around them. Eilimate disparity. the traffic stops.