I see this quality [real interest and joy] in the work of [Pavel] Chekhov, of course, and [Alexei] Tolstoy and really just about any great writer.

I feel that there is nothing that can happen to a person that is banal. Everything that happens to us is interesting.

Don't be afraid to be confused. Try to remain permanently confused. Anything is possible. Stay open, forever, so open it hurts, and then open up some more, until the day you die, world without end, amen.

Early on, a story's meaning and rationale seem pretty obvious, but then, as I write it, I realize that I know the meaning/rationale too well, which means that the reader will also know it - and so things have to be ramped up.

You don't want to spend your life writing about stuff that doesn't matter. You want to try to pull out of the temporal mediocre and write in a way that is meaningful to everybody. This goes back to this idea of being intimate with your reader. Since we're all down here and we're all dying and aspiring and loving and feeling inadequate, all these things that we all are doing all the time, what a relief it is, when somebody looks at you and says, "Yeah, me too."

I'm not sure I would call it agony but there is a kind of cyclic frustration. You get one story right and then here comes another one. When does that end? What I'm trying to do is get it to end right now, by recognizing that that cycle is writing. That is: trying to understand the frustrations and setbacks (and agony) as part of a bigger chess game you are playing with art itself.

My general approach to writing fiction is that you try to have as few conceptual notions as possible and you just respond to the energy that the story is making rather than having a big over plan. I think if you have a big over plan, the danger is that you might just take your plan and then you bore everybody. I always joke that it's like going on a date with index cards. You know, at 7:30 p.m. I should ask about her mother. You keep all the control to yourself but you are kind of insulting to the other person.